A Family-Run, Independent UK Poetry Chapbook Publisher Shares Insights and Advice for Emerging Poets
Dithering Chaps is an independent UK poetry chapbook publisher. Their team gathers “small, carefully-crafted collections that celebrate the lyric, the unique, and the quietly resonant. Each chapbook is selected with care and published with creativity.”
Co-founder David Herring kindly agreed to answer our questions, and in doing so, gifted emerging poets advice worth its weight in gold.
The Interview
Dithering Chaps is a family-run indie publisher. Could you tell me a little about your beginnings?
“Of course!
Gena and I attend poetry groups and open mic events across Dorset and have always been struck by how many poets are deserving of publication but are unable to place their work with publishers.
Many choose to self-publish and, while this is a great way of seeing your work in print, we believe there’s an additional cachet in being selected for publication. Our first couple of publications were local poets whose work we wanted to validate in this way.
We expanded our reach and ambitions through our involvement with the Bournemouth Writing Festival – publishing their competition anthologies in 2024 and 2025 and acting as poetry judges.
While ‘going global’ as a result has reduced our focus on local poets, we retain our commitment to emerging writers by reserving one of our three publication slots a year to a poet who has not previously published a collection of their work. Where we can, we also support two local charities that empower marginalised writers to find their voice.
It is great that you picked up on the ‘family run’ side of our business. Here’s what one of our published poets recently wrote to us: “Back when we were first publishing the book, when I was speaking to other members of my local poetry group about the process, many of them were very complimentary about you and your practices, and said that it was so rare to see a publisher that cared as much as you guys did. They were definitely right.”
You publish carefully-crafted poems that “sing, sting, and stay with you”. What advice do you have for emerging poets?
“Share your poems with others. Be open to feedback. Put poems away in a drawer for a while and look at them with fresh eyes.
Submit individual poems and aim to build up a portfolio of publication credits. Be realistic – aim for smaller, local publishers and competitions first – your chances of publication will be higher!
Get your writing out there! You never know where your poems might end up. Our latest publication made it to the South Pole…
Can you tell me more about what you are looking for?
Our most recent blog gives some more specific advice about submitting your work to Dithering Chaps:
What Is Your Unique Selling Point?
Those of us who submit their poetry frequently know that rejections can be very impersonal and dispiriting.
Something that we think makes Dithering Chaps stand out is the fact that we provide 200-300 words of feedback on each submission, whether we longlist you or not. Many poets have told us how invaluable they have found this in developing their craft.
What kind of poem draws your attention?
It’s when a poet takes their writing to an ‘elsewhere’ we’ve never encountered before that we sit up and pay attention: an unexpected metaphor; a jump to a different voice or location; a torquing of language itself. Though I’m sure there are great English words for this, the impacts we crave are dépaysement and the unheimlich!
Do you often find yourself rejecting poems due to a lack of capacity?
Sadly, the answer is ‘Yes’. If we had a greater bandwidth, we would love to publish more poets. We can select only one from each of our reading periods, plus one poet per year who has not had a collection published before. Inevitably, this means there are several poets from each of our shortlists who just miss out.
Could you please describe your selection process?
We ask poets to submit a ten-page sample of their work. Gena and I both read all submissions independently and rank them based on factors such as their poetic originality, their cohesion and their ‘star quality’. After comparing our rankings and doing our trademark ‘dithering’, we select a longlist of around twenty poets, which we narrow down to a shortlist of five. The shortlisted poets are asked to submit their full collection and the one that speaks to us most is the one we publish.
Full details can be found on our submissions page.
If your members have a question about our press or about any aspect of submitting your work, they can drop us a line at ditheringchaps@gmail.com.
