
Robert Duncan


We are introducing a cash reward for the best poem we find in our poetry feed each month, awarding the winner €25.00. The competition starts today, 25 May 2025, so the first winner will be announced on 25 June and every 25th of each month.

The poem “Forsythia” (1966), by Mary Ellen Solt.

The light by the barn that shines all night
pales at dawn when a little breeze comes.
A little breeze comes breathing the fields
from their sleep and waking the slow windmill.
The slow windmill sings the long day
about anguish and loss to the chickens at work.
The little breeze follows the slow windmill
and the chickens at work till the sun goes down—
Then the light by the barn again.
© by owner. provided at no charge for educational purposes
a poem by Kitty Tsui
I cannot do without love
the way I make myself
do without food or sleep or sex
I cannot do without love
sometimes I rummage through
my papers
scraps of dreams
thoughts from long ago
want to throw everything out
but can’t
did my laundry
read Doris Lessing
on the stairs in the sun
the one about
a man and two women
last night in your arms
a whisper in my ear
see how your heart beats
hard like a hammer
what are you thinking about
you are so far away
pow fahn for breakfast
steaming in rice bowls
snow heavy on the trees
like icing on a cake
your lover calls every night
demanding to know
if I am still here
and why the hell am I
still here
I cannot do without love
For more by Kitty Tsui, click here.
We are thrilled to welcome Poet and Mental Health Advocate Daragh Fleming to the Poetry Cooperative. Daragh writes stunning poetry and his book, Lonely Boy is changing lives as we speak. I had the privilege to sit down with him and ask him about his writing and the advise he provides to emerging poets and writers.
You can check out Daragh’s Honorary Members’ Page to find out what advice he has for emerging poets. We’ve got an interview and a selection of stunning poems. You can access the page by clicking on the photo below.

On this day in 1905, Attila József, Hungary’s greatest poets was born. Since 1964, the nations marks the 11 April as a celebration of Hungarian poetry.
You get poetry on public transport, and Hungarians gather to share poems and celebrate its power. Poetry has been instrumental in Hungary’s quest for cultural identity. Poetry helped process its difficult history, unbreakable spirit, and rich cultural heritage. Famous Hungarian poets include the revolutionary and of course Attila József, famous for his exploration of social issues and existentialism. Here is one of his poems.
I have scrubbed boilers, I have cut seedlings,
On rotting straw mattresses I've found sleep;
Judges have sentenced me, fools have mocked me,
My glitter poured forth from cellars deep.
I've kissed a girl who sang even as
she was baking someone else's bread,
I was given clothes and I gave books
to peasants and to workers instead.
I was in love with a well-to-do girl
but her own class wrested her from me;
I ate but once every other day
and I got an ulcer finally.
I've felt that the world, too, was a turning
inflamed stomach and that slimy thing,
our dyspeptic love was our mind, while war
was nothing but bloody vomiting.
Since sourish silence has filled our mouth,
I kicked my heart that it might shout with rage.
How could my active mind content itself
with lulling songs composed for a wage.
They offered money for my great vengeance;
Priests have said: trust in the Lord, my son.
And I knew, he who returned empty-handed,
with axes and hoes and stones would come.
I have flashing eyes and the will to win,
and I must have the willingness, the means
to do justice and so to take sides
with these severest of memories.
But what concern are memories to me?
Rather, I lay my worthless pencil down
and start grinding the scythe's edge instead,
for time is ripening in our land
with a silent, threatening sound.
Translated by John Székely
The Poetry Cooperative provides poets with tips and publishing opportunities. You can publish poems on our poetry feed and promote your poetry across the platform and the Poetry Cooperative social media channels. We also encourage our members to support one another with comments and feedback.
If you’re serious about writing and promoting your poetry and making money, the Poetry Cooperative Silver Membership is worth considering. The membership level offers many opportunities to its members, focusing on supporting them in their efforts to publish, share, and promote their poetry.
Apart from providing publishing opportunities on the Poetry Cooperative website and in the Poetry Cooperative Magazine, Silver Member contests award winners prize money.
Driving traffic to your poetry website and building a strong social media following is also important for poets. For that reason, we run comment, like and share exchanges.
We encourage members to collaborate and help increase traffic to their websites and social media profiles while the promotional team at the Poetry Cooperative promotes the work of featured poets across all social media platforms. Your poetry will reach a whole new audience whose members will further share your work.
To submit poetry online, you can join the Poetry Cooperative and start publishing your poetry. If you become a Silver Member, you can submit your work for publication in the Poetry Cooperative Magazine.
The quarterly Poetry Cooperative Magazine features the best new poetry. We also pay contest winners, plus winning poems appear in the quarterly magazine too.
So, you see, Poetry Cooperative Silver Members enjoy lots of money-making and promotional opportunities.
The focus of what we do is on poets helping poets spread beautiful poetry across the globe.
Here’s a recap of all the wonderful Poetry Cooperative Silver Membership features:
To celebrate spring and redouble our writing efforts, we are running a 30-Poetry Challenge. To succeed, you need to publish ten poems here within 30 days. We will share the poems across social media, and if you fulfil the task, you get one-month of Poetry Cooperative Silver membership free of charge with all its perks. The Poetry Cooperative 30-Day Poetry Challenge is designed to help you build consistency while providing you with feedback and comments.
Click on the image below to sign up and register.

We are open for submissions for the upcoming Poetry Cooperative Summer 2024 Magazine. Please email your entries before 30 April to submissions@poetrycooperative.org.
Entries must be no longer than one page long and summer-themed.

If you are considering the self-publishing route and wonder what it is like to publish a collection, listen to what Mike Gordon told me during a recent chat.
Thank you Mike for taking the time to explain the process and share your experience.

Listen to spoken-word master, Pages Matam, and what he has to say on finding your voice in poetry, the healing and cathartic nature of poetry, and on the power of language.
The mower stalled, twice; kneeling, I found A hedgehog jammed up against the blades, Killed. It had been in the long grass. I had seen it before, and even fed it, once. Now I had mauled its unobtrusive world Unmendably. Burial was no help: Next morning I got up and it did not. The first day after a death, the new absence Is always the same; we should be careful Of each other, we should be kind While there is still time.
Anne Sexton
Until tonight they were separate specialties, different stories, the best of their own worst. Riding my warm cabin home, I remember Betsy’s laughter; she laughed as you did, Rose, at the first story. Someday, I promised her, I’ll be someone going somewhere and we plotted it in the humdrum school for proper girls. The next April the plane bucked me like a horse, my elevators turned and fear blew down my throat, that last profane gauge of a stomach coming up. And then returned to land, as unlovely as any seasick sailor, sincerely eighteen; my first story, my funny failure. Maybe Rose, there is always another story, better unsaid, grim or flat or predatory. Half a mile down the lights of the in—between cities turn up their eyes at me. And I remember Betsy’s story, the April night of the civilian air crash and her sudden name misspelled in the evening paper, the interior of shock and the paper gone in the trash ten years now. She used the return ticket I gave her. This was the rude kill of her; two planes cracking in mid—air over Washington, like blind birds. And the picking up afterwards, the morticians tracking bodies in the Potomac and piecing them like boards to make a leg or a face. There is only her miniature photograph left, too long now for fear to remember. Special tonight because I made her into a story that I grew to know and savor. A reason to worry, Rose, when you fix an old death like that, and outliving the impact, to find you’ve pretended. We bank over Boston. I am safe. I put on my hat. I am almost someone going home. The story has ended.

This spring as it comes bursts up in bonfires green, Wild puffing of emerald trees, and flame-filled bushes, Thorn-blossom lifting in wreaths of smoke between Where the wood fumes up and the watery, flickering rushes. I am amazed at this spring, this conflagration Of green fires lit on the soil of the earth, this blaze Of growing, and sparks that puff in wild gyration, Faces of people streaming across my gaze. And I, what fountain of fire am I among This leaping combustion of spring? My spirit is tossed About like a shadow buffeted in the throng Of flames, a shadow that's gone astray, and is lost.
We are open for submissions for the Spring Issue of the Poetry Cooperative. Please submit up to three bloom-themed poems of 24 lines or less before the end of February. Please send your poems to submissions@poetrycooperative.org.
Here’s something to inspire you.

Meadows are like frameless paintings sprawling nude and thousands of tulips blossoming. Yellow and red cups crowning chlorophyll and figments. A trillion cells sistering, and I won’t shred a field of grain, but I will mill it, cast salt for blooming crusts. Gutting a bolted door is like hiring a plumber and millions of glimmers brothering. Silver and golden drops dredging tar and rule books. A billion fires clotting, and I won’t tread on the ocean, but I will steal it, dry seaweed for kindling. Sometimes, fence posts grow limbs into the ground and arms, sky-bound. The wind moors a swing, and we sway.


Join as a gold member and reap all the benefits:
For a limited time only, we are offering a 30% discount. To avail of this fantastic offer click on the image below:
As the leaves are leaving, we are raking up poems to shorten the stretching evening. Send us your best story poem of no more than 25 lines. Make it spooky, make it warm, write and tell us a story like only a poem can, short, sweet, and surprising.


The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky; Upon the brimming water among the stones Are nine and fifty swans. The nineteenth Autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings. I have looked upon those brilliant creatures, And now my heart is sore. All's changed since I, hearing at twilight, The first time on this shore, The bell-beat of their wings above my head, Trod with a lighter tread. Unwearied still, lover by lover, They paddle in the cold, Companionable streams or climb the air; Their hearts have not grown old; Passion or conquest, wander where they will, Attend upon them still. But now they drift on the still water Mysterious, beautiful; Among what rushes will they build, By what lake's edge or pool Delight men's eyes, when I awake some day To find they have flown away?
This poem is in the public domain
‘Style is the answer to everything–
a fresh way to approach a dull or a
dangerous thing.
to do a dull thing with style
is preferable to doing a dangerous thing without it.
Recited by Colin Farrell
We are looking for submission for the summer issues of the Poetry Cooperative Magazine. The topic is UNITY. Please send us up to three poems, preferably no longer than two pages, in any form or style. Let’s celebrate what binds us all together.
Email to submissions@poetrycooperative.org, Our submission window is open until the end of July.

Any budding poet who wants to go from writing poetry as a past-time to seeing his/her poems in literary publications wants to know what it takes to get published. Most poets receive countless rejections before finally seeing their work recognized and printed by renowned magazines or websites. In the Poetry Cooperative Interview Series, we speak to award-winning, well-known poets to find out just exactly what makes a publishable poem.
With this series, we hope to inspire and encourage our members and anyone who’s trying to get published. All our guest are honourary Poetry Cooperative members. With each interview, they each get a dedicated page on our website.
We’re proud to announce that prize-winning UK poet Jenny Mitchell was the first to make time to answer our questions. Watch out for the first edition of the Poetry Cooperative Interview Series here next week.

Anyone who writes poetry wants to know what makes a poem a poem rather than embarrassing ramblings. I’m posting Daniel Tysdal’s Ted talk here. In simple terms, he describes how to write a great poem as opposed to an average one. Enjoy!
To end the year on a high note, we are offering poets Annual Gold Membership at a special price. You will get the same support and perks only now, the membership is less expensive.

I’m looking interested in finding out whether #covid19 is reshaping your poetry and if so how and most of all share your most recent #lockdownpoems
Our latest free poetry contest is open for entries now. Submit a poem here using the following prompt:
The Nest
You can choose any form or style and we will award the winner one month’s free Poetry Cooperative Gold Membership.
The submission deadline is 15 March 2020. The Winner will receive an email.
I'm not inclined to do your work today would rather sip some wine and plan how I could go outside, trick dwarfs and steal away not toil and wash and clean and sing on high but walk through woods alone amazed by bloom would dance to tunes so sweet and talk to birds on how the world with all its doom and gloom still shines so bright in shades beyond my words Not eat the apple Eve once dared to take not lay in wait for prince to kiss and wed but run and jump for joy that I could make my way in thunder, hail and snow, not dead but fierce and strong, stomp forth in boots without a thought or care for knight or chutes.