The Light by the Barn by William Stafford

The light by the barn that shines all night
pales at dawn when a little breeze comes.

A little breeze comes breathing the fields
from their sleep and waking the slow windmill.

The slow windmill sings the long day
about anguish and loss to the chickens at work.

The little breeze follows the slow windmill
and the chickens at work till the sun goes down—

Then the light by the barn again.

© by owner. provided at no charge for educational purposes

Without Love

a poem by Kitty Tsui

I cannot do without love
the way I make myself
do without food or sleep or sex
I cannot do without love

sometimes I rummage through
my papers
scraps of dreams
thoughts from long ago
want to throw everything out
but can’t

did my laundry
read Doris Lessing
on the stairs in the sun
the one about
a man and two women

last night in your arms
a whisper in my ear
see how your heart beats
hard like a hammer

what are you thinking about
you are so far away

pow fahn for breakfast
steaming in rice bowls
snow heavy on the trees
like icing on a cake

your lover calls every night
demanding to know
if I am still here
and why the hell am I
still here
I cannot do without love

For more by Kitty Tsui, click here.

Daragh Fleming – Honorary Member of the Poetry Cooperative

We are thrilled to welcome Poet and Mental Health Advocate Daragh Fleming to the Poetry Cooperative. Daragh writes stunning poetry and his book, Lonely Boy is changing lives as we speak. I had the privilege to sit down with him and ask him about his writing and the advise he provides to emerging poets and writers.

You can check out Daragh’s Honorary Members’ Page to find out what advice he has for emerging poets. We’ve got an interview and a selection of stunning poems. You can access the page by clicking on the photo below.

Daragh Fleming

Attila József – Celebrating Hungary’s Poets

On this day in 1905, Attila József, Hungary’s greatest poets was born. Since 1964, the nations marks the 11 April as a celebration of Hungarian poetry.

You get poetry on public transport, and Hungarians gather to share poems and celebrate its power. Poetry has been instrumental in Hungary’s quest for cultural identity. Poetry helped process its difficult history, unbreakable spirit, and rich cultural heritage. Famous Hungarian poets include the revolutionary and of course Attila József, famous for his exploration of social issues and existentialism. Here is one of his poems.

I have scrubbed boilers, I have cut seedlings,
On rotting straw mattresses I've found sleep;
Judges have sentenced me, fools have mocked me,
My glitter poured forth from cellars deep.
I've kissed a girl who sang even as
she was baking someone else's bread,
I was given clothes and I gave books
to peasants and to workers instead.
I was in love with a well-to-do girl
but her own class wrested her from me;
I ate but once every other day
and I got an ulcer finally.
I've felt that the world, too, was a turning
inflamed stomach and that slimy thing,
our dyspeptic love was our mind, while war
was nothing but bloody vomiting.
Since sourish silence has filled our mouth,
I kicked my heart that it might shout with rage.
How could my active mind content itself
with lulling songs composed for a wage.
They offered money for my great vengeance;
Priests have said: trust in the Lord, my son.
And I knew, he who returned empty-handed,
with axes and hoes and stones would come.
I have flashing eyes and the will to win,
and I must have the willingness, the means
to do justice and so to take sides
with these severest of memories.
But what concern are memories to me?
Rather, I lay my worthless pencil down
and start grinding the scythe's edge instead,
for time is ripening in our land
with a silent, threatening sound.

Translated by John Székely

Poetry Cooperative Silver Membership

The Poetry Cooperative provides poets with tips and publishing opportunities. You can publish poems on our poetry feed and promote your poetry across the platform and the Poetry Cooperative social media channels. We also encourage our members to support one another with comments and feedback.

If you’re serious about writing and promoting your poetry and making money, the Poetry Cooperative Silver Membership is worth considering. The membership level offers many opportunities to its members, focusing on supporting them in their efforts to publish, share, and promote their poetry.

Apart from providing publishing opportunities on the Poetry Cooperative website and in the Poetry Cooperative Magazine, Silver Member contests award winners prize money.

Driving traffic to your poetry website and building a strong social media following is also important for poets. For that reason, we run comment, like and share exchanges.

We encourage members to collaborate and help increase traffic to their websites and social media profiles while the promotional team at the Poetry Cooperative promotes the work of featured poets across all social media platforms. Your poetry will reach a whole new audience whose members will further share your work.

Submit Poetry Online, Publish, Promote

To submit poetry online, you can join the Poetry Cooperative and start publishing your poetry. If you become a Silver Member, you can submit your work for publication in the Poetry Cooperative Magazine. 

The quarterly Poetry Cooperative Magazine features the best new poetry.  We also pay contest winners, plus winning poems appear in the quarterly magazine too.

So, you see, Poetry Cooperative Silver Members enjoy lots of money-making and promotional opportunities.

The focus of what we do is on poets helping poets spread beautiful poetry across the globe.

Become a Poetry Cooperative Silver Member Now!

Here’s a recap of all the wonderful Poetry Cooperative Silver Membership features:

  • Paid Contests
  • Build Website Traffic
  • Promote Your Poetry Collection
  • Publish Your Poem and Get Paid
  • Find Out About the Latest Submission Calls

Poetry Cooperative 30-Day Poetry Challenge

To celebrate spring and redouble our writing efforts, we are running a 30-Poetry Challenge. To succeed, you need to publish ten poems here within 30 days. We will share the poems across social media, and if you fulfil the task, you get one-month of Poetry Cooperative Silver membership free of charge with all its perks. The Poetry Cooperative 30-Day Poetry Challenge is designed to help you build consistency while providing you with feedback and comments.

Click on the image below to sign up and register.

The Mower – Philip Larkin

The mower stalled, twice; kneeling, I found   
A hedgehog jammed up against the blades,   
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.   
Now I had mauled its unobtrusive world   
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence   
Is always the same; we should be careful

Of each other, we should be kind   
While there is still time.

A Story for Rose on the Midnight Flight to Boston

Anne Sexton

Until tonight they were separate specialties,
different stories, the best of their own worst.
Riding my warm cabin home, I remember Betsy’s
laughter; she laughed as you did, Rose, at the first
story. Someday, I promised her, I’ll be someone
going somewhere and we plotted it in the humdrum
school for proper girls. The next April the plane
bucked me like a horse, my elevators turned
and fear blew down my throat, that last profane
gauge of a stomach coming up. And then returned
to land, as unlovely as any seasick sailor,
sincerely eighteen; my first story, my funny failure.
Maybe Rose, there is always another story,
better unsaid, grim or flat or predatory.
Half a mile down the lights of the in—between cities
turn up their eyes at me. And I remember Betsy’s
story, the April night of the civilian air crash
and her sudden name misspelled in the evening paper,
the interior of shock and the paper gone in the trash
ten years now. She used the return ticket I gave her.
This was the rude kill of her; two planes cracking
in mid—air over Washington, like blind birds.
And the picking up afterwards, the morticians tracking
bodies in the Potomac and piecing them like boards
to make a leg or a face. There is only her miniature
photograph left, too long now for fear to remember.
Special tonight because I made her into a story
that I grew to know and savor.
A reason to worry,
Rose, when you fix an old death like that,
and outliving the impact, to find you’ve pretended.
We bank over Boston. I am safe. I put on my hat.
I am almost someone going home. The story has ended.

D.H Lawrence – The Enkindled Spring

This spring as it comes bursts up in bonfires green, 
Wild puffing of emerald trees, and flame-filled bushes, 
Thorn-blossom lifting in wreaths of smoke between 
Where the wood fumes up and the watery, flickering rushes. 

I am amazed at this spring, this conflagration 
Of green fires lit on the soil of the earth, this blaze 
Of growing, and sparks that puff in wild gyration, 
Faces of people streaming across my gaze. 

And I, what fountain of fire am I among 
This leaping combustion of spring? My spirit is tossed 
About like a shadow buffeted in the throng 
Of flames, a shadow that's gone astray, and is lost.

Winter’s End Blossoming

Meadows are like frameless paintings sprawling nude and thousands of tulips blossoming. Yellow and red cups crowning chlorophyll and figments. A trillion cells sistering, and I won’t shred a field of grain, but I will mill it, cast salt for blooming crusts. Gutting a bolted door is like hiring a plumber and millions of glimmers brothering. Silver and golden drops dredging tar and rule books. A billion fires clotting, and I won’t tread on the ocean, but I will steal it, dry seaweed for kindling. Sometimes, fence posts grow limbs into the ground and arms, sky-bound. The wind moors a swing, and we sway.
Violets frosting over in January
Violets in January

The Wild Swans at Coole by W.B. Yeats

The trees are in their autumn beauty,	 
The woodland paths are dry,	 
Under the October twilight the water	 
Mirrors a still sky;	 
Upon the brimming water among the stones	         
Are nine and fifty swans.	 
  
The nineteenth Autumn has come upon me	 
Since I first made my count;	 
I saw, before I had well finished,	 
All suddenly mount	  
And scatter wheeling in great broken rings	 
Upon their clamorous wings.	 
  
I have looked upon those brilliant creatures,	 
And now my heart is sore.	 
All's changed since I, hearing at twilight,	  
The first time on this shore,	 
The bell-beat of their wings above my head,	 
Trod with a lighter tread.	 
  
Unwearied still, lover by lover,	 
They paddle in the cold,	  
Companionable streams or climb the air;	 
Their hearts have not grown old;	 
Passion or conquest, wander where they will,	 
Attend upon them still.	 
  
But now they drift on the still water	  
Mysterious, beautiful;	 
Among what rushes will they build,	 
By what lake's edge or pool	 
Delight men's eyes, when I awake some day	 
To find they have flown away?

This poem is in the public domain

Poetry Submission Call

We are looking for submission for the summer issues of the Poetry Cooperative Magazine. The topic is UNITY. Please send us up to three poems, preferably no longer than two pages, in any form or style. Let’s celebrate what binds us all together.

Email to submissions@poetrycooperative.org, Our submission window is open until the end of July.

The Poetry Cooperative Interview Series

To educate and inspire, we speak to poets who stand out in today’s competitive poetry market.

Any budding poet who wants to go from writing poetry as a past-time to seeing his/her poems in literary publications wants to know what it takes to get published. Most poets receive countless rejections before finally seeing their work recognized and printed by renowned magazines or websites. In the Poetry Cooperative Interview Series, we speak to award-winning, well-known poets to find out just exactly what makes a publishable poem.

With this series, we hope to inspire and encourage our members and anyone who’s trying to get published. All our guest are honourary Poetry Cooperative members. With each interview, they each get a dedicated page on our website.

We’re proud to announce that prize-winning UK poet Jenny Mitchell was the first to make time to answer our questions. Watch out for the first edition of the Poetry Cooperative Interview Series here next week.

Snow White’s Sonnet

I'm not inclined to do your work today
 would rather sip some wine and plan how I
 could go outside, trick dwarfs and steal away
 not toil and wash and clean and sing on high

 but walk through woods alone amazed by bloom
 would dance to tunes so sweet and talk to birds
 on how the world with all its doom and gloom
 still shines so bright in shades beyond my words
 
Not eat the apple Eve once dared to take
 not lay in wait for prince to kiss and wed
 but run and jump for joy that I could make
 my way in thunder, hail and snow, not dead
 
but fierce and strong, stomp forth in boots
 without a thought or care for knight or chutes.